Kathleen Battle, The Official Website
Of her Carnegie Hall recital debut...
“In an age when the vocal recital has practically gone...this was a thrilling case for its return.”
Bio
Soprano Kathleen Battle’s luminous voice has been called “…without qualification, one of the very few most beautiful in the world” (The Washington Post). Yet beyond the glory of her singing, in a career filled with countless accolades, honors and major milestones, what has perhaps distinguished her most is her almost magical ability to create an unwavering emotional bond between herself, her music and her audience.
In her youth, this native of Portsmouth, Ohio, the youngest of seven children, sang in church and school, and envisioned a future as a music teacher. Fortunately for audiences around the world, she found other ways to share her love of music—and through her natural gifts, innate intelligence, and hard work, her soaring voice has carried her to the heights of the classical music world. Indeed, throughout a remarkable career that has brought her to the stages of the world’s leading opera houses and major concert halls, critics have never tired of rhapsodizing over her limpid, unmistakable sound. In quite poetic terms, they have compared it to “the ethereal beauty of winter moonlight” (The Washington Post), “a paradoxical meeting of earth and sky” (Philadelphia Inquirer), and “cream from a miraculous, bottomless pitcher” (The New York Times).
The range of Miss Battle’s repertoire spans three centuries from the Baroque era to contemporary works. She has enjoyed some of her greatest successes in the opera house in repertoire ranging from Handel (Cleopatra in the Metropolitan Opera’s premiere staging of Giulio Cesare) to Richard Strauss (Sophie, Zdenka, Zerbinetta). For her Covent Garden debut as Zerbinetta in Ariadne auf Naxos, Miss Battle became the first American to be honored with a Laurence Olivier Award for Best Performance in a New Opera Production. She has similarly distinguished herself as one of our generation’s finest interpreters of Mozart (Susanna, Despina, Pamina, and Zerlina), as well as the bel canto operas of Rossini (Il Barbiere di Siviglia) and Donizetti (L’Elisir d'Amore, Don Pasquale, La Fille du Regiment). In the words of critic Tim Page, “Miss Battle’s natural territory is music of sweetness, serenity, and girlish ecstasy. Within this repertoire she is all but unequaled.”
In recital, Kathleen Battle has mesmerized audiences around the globe with her unique artistry and vocal beauty. Of her Carnegie Hall recital debut, New York Newsday declared, “In an age when the vocal recital has practically gone the way of the dinosaur, this was a thrilling case for its return.” For the CD of this recital, released on DG, Miss Battle received one of three Grammy Awards for Best Classical Vocal Soloist. The Australian echoed the sentiment of critics around the world, saying, “The Sydney Opera House has played host to any number of great singers…but it’s unlikely there has ever been (or perhaps ever will be) a performance to match the recital American soprano Kathleen Battle gave.”
Kathleen Battle’s gifts as a singer extend beyond the realm of classical music. Her work as a great interpreter of spirituals is documented on a joint recital with Jessye Norman, Spirituals in Concert (DG). Her pure emotional power in this music of joy and sorrow cuts through all cultural boundaries. As the Vienna Kurier put it, “Kathleen Battle sang so beautifully in the spiritual ‘Heaven is one beautiful place,’ she came pretty close to heaven.”
Miss Battle drew considerable attention with the world premiere of Honey and Rue, a song cycle with music by Oscar and Grammy-winner composer André Previn and lyrics by Nobel and Pulitzer Prize-winning author Toni Morrison, commissioned for Miss Battle by Carnegie Hall on the event of their 100th anniversary. Since then, she has performed the work with leading orchestras and in recital throughout the world. The Los Angeles Times called her performance of this work “spellbinding,” while the Cincinnati Herald remarked that “her voice was like the ebb and flow of the seas as an almost sacred silence enclosed the auditorium.” The recording of this cycle was released by DG, on a disc which also includes Barber’s Knoxville: Summer of 1915 and arias from Gershwin’s Porgy and Bess.
Always seeking to expand her artistic horizons, Miss Battle was joined by leading jazz musicians for her first crossover album, So Many Stars (Sony Classical), a collection of lullabies, spirituals, and folksongs. Commenting on her extraordinary gifts as a jazz artist, The Detroit News noted, “When Battle and her core jazz trio held the stage, the musical splendor was almost more than the ear could take in.”
Special Recollections from Kathleen
PERFORMING RECENTLY WITH ALICIA KEYS FOR BONO AND A HOST OF INDUSTRY LEADERS
“I was flattered and intrigued when the wonderful and soulful artist Alicia Keys called October 2007 about my singing a duet with her for U2’s Bono and a large audience of industry leaders and insiders at her annual AIDS Prevention charity event "Keep A Child Alive." In addition, the song had been written by Bono as a duet for himself and one of my most beloved and esteemed colleagues, the late Luciano Pavarotti. Miss Keys brilliantly held forth as she hosted the evening, as well as performed with Sheryl Crow, Gwen Stefani, and Bono, who was also being honored that evening.
Our surprise rendition of “Miss Sarajevo,” which closed the evening’s gala festivities, was accorded a standing ovation—including from Bono himself!”
Contact
Management
Columbia Artists Management
1790 Broadway
New York, NY 10019
212-841-9571
Recordings
SOLO RECORDINGS
Classic KB
KB at Carnegie – LIVE in Recital, Carnegie Hall GRAMMY WINNER
Grace
So Many Stars ALL-STAR COLLABORATION
KB Sings Mozart GRAMMY WINNER
Pleasures of Their Company GRAMMY NOMINEE
Salzburg Recital GRAMMY WINNER
Kathleen Battle in Concert GRAMMY WINNER (IS THIS SAME AS SALZBURG RECITAL, RE-ISSUED?)
Honey and Rue CARNEGIE CENTENNIAL COMMISSION
First Love
Bel Canto Arias
Mozart Opera Arias
French Opera Arias
Schubert Lieder
Handel Arias
ALL-STAR CLASSICAL COLLABORATIONS
Spirituals in Concert
Kb/Marsalis: Baroque Duet
Bach Album
Live in Tokyo
KB & Rampal (
SEASONAL/CHRISTMAS
Christmas Celebration
Angel's Glory
Carnegie Christmas
New Years in Vienna NEW YEARS
Strauss: New Year’s Eve 1992 NEW YEARS
Orff Carmina NEW YEAR’S (Video)
OPERAS
Handel Semele GRAMMY WINNER
Strauss: Ariadne auf Naxos GRAMMY WINNER
Donizetti: D’Amore
Karajan Don Giovanni
Don Giovanni - same as above
Rossini: Barber
Mozart Figaro GRAMMY NOMINEE
Mozart Serail GRAMMY NOMINEE
Rossini: Il Signor Bruschino
Verdi – Un Ballo in Maschera
Rossini: Algeri
Wagner: Siegfried
Verdi: Don Carlo
CONCERTS/ORATORIOS:
Mahler: Symphony 4
Mozart High Mass
Brahms REQUIEM
Haydn: The Creation
Mozart Mass in C Minor
Messiah by Handel
Music from Ravinia
Requiem by Faure
Requiem by Mozart
Gielen Conducts: Lulu Suite
Mahler: Resurrection
Poulenc: Gloria (
Midsummer Night’s Dream
ALL-STAR CROSSOVER COLLABORATIONS
So Many Stars
House of Flying Daggers
Mythodea
Tenderness
Janet
Gershwin’s World
DVDs
Carnegie Christmas
Karajan New Years
Battle Met
KB/Marsalis
Spirituals
Donizetti
Mythodea
Rossini Barber
Add Brahms: Ein Deutsches Requiem / Karajan, Battle, Van Dam http://www.arkivmusic.com/classical/album.jsp;jsessionid=AB41FA622B014D48F8ECCF107DA837BF?album_id=74692&album_group=2
Met Silver Anniv. – Met Opera KATHLEEN BATTLE: EMMY AWARD WINNER
Mozart Flute
Mozart High Mass LIVE FROM THE VATICAN
Orff Carmina NEW YEAR’S BERLIN
Strauss Gala “Carmina Burana” NEW YEAR’S BERLIN
Strauss – Ariadne auf Naxos –
[ CD COMPILATIONS ]
Classic Wynton
Divas